*All prices are in Canadian funds.
Illustrator Fleshtone Palette (204003)
The colors available in the FLESH TONE PALETTE range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colors with warming/cooling adjusters that are ideal for fine tuning a skin tone mix that's a perfect match, or for creating a subtle bruising for close camera work. RICE PAPER, the staple of the palette, can be used as a white color to lighten a particular mix, or on its own to match the skin. You can use NATURAL 1 & 2 as the basis for most Caucasian tones. These colors already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add. If you need to warm the NATURALS, add a little CORAL ADJUSTER or ROSE ADJUSTER II. If you need to cool the tone, add a little OLIVE ADJUSTER I (liquids only) or VEIN TONE to achieve a beige color. LAO 1 & 2 will be the basis for your yellow undertoned subjects. Start with these colors and you can lighten the tone with a RICE PAPER mix. To make your color more beige, add VEIN TONE. To make your color more olive, add OLIVE ADJUSTER II, and if you want to add a touch of golden quality, use the CORAL ADJUSTER. CEDAR BROWN (a new color) is a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones, All of the color adjusters have been formulated to intermix with the flesh tones.
All Skin Illustrator palettes must be activated with Skin Illustrator Slow Activator, Skin Illustrator Activator or 99% alcohol. Do not use anything else. Removal is easy with Telesis Super Solv or Telesis Makeup Remover.
Skin Illustrator developed by award winning makeup artist Kenny Myers, is a system of durable, water and abrasion resistant alcohol activated make-up that is available in palettes and liquids. Created by professionals for professionals, Skin Illustrator is designed to speed up the process of color applications and touch ups by greatly reducing the need to mix colors. The wide range of colors allows you total control to create any illusion
Skin Illustrator will cover tattoos, create effects, color hair, and it can be used on foam latex, gelatin, plastic, and silicone appliances. The high pigment content provides rich color tones that stay in place and last all day. Skin Illustrator colors can be activated with a spray or dab of alcohol, and they require few touch ups other than an occasional powdering. Whether you use a brush, air brush, sponge or stipple technique, Skin Illustrator can fix a problem or keep one from happening.
Be sure the skin has been gently cleaned and dried before applying the Skin Illustrator colors. Removal is easy with Super Solv, alcohol or isopropyl myristate. Remember to clean the skin after color removal, then apply moisturizer. The key to using Skin Illustrator is to take the time to experiment with the colors. Try different application techniques with a sponge, brush or airbrush, and learn how the colors work under varying conditions. Because art is constantly evolving, Skin Illustrator will always be growing and improving.
Skin Illustrator colors have been tested by independent labs for dermal irritation and have been proven safe for use on skin.