*All prices are in Canadian funds.
Illustrator Dk Fleshtone Palette (204002)
The Dark Flesh Tone palette is designed as the follow-up to the original Flesh Tone palette, the Dark colors complete the entire range of flesh tones. When combined with the FX and light Flesh Tone colors, the Dark Flesh Tone colors will allow the artist to duplicate virtually any skin tone, no matter how light or dark.
The BAMBOO 1 and 2 colors are warmer yellow base tones than the LAO 1 and 2, offered in the original Flesh Tone palette. This significant difference gives the artist an even wider range of tone variation when blending colors. Other warm base tones include CHOCOLATE, ESPRESSO 1 and 2, and MIDNIGHT BROWN, the darkest of the base tones. BURNT SIENNA, GOLDEN OCHRE and RED OXIDE are all adjusting colors that alter the base tones in different ways, providing an endless array of color possibilities. By mixing MIDNIGHT BROWN with the BLACK tone from the FX Palette, the deepest ebony tones can be obtained, creating rich, natural colors that are not gray or ashy. When mixing MIDNIGHT BROWN with BAMBOO 1, you begin to create taupe colors, which are great for use as character shading colors. CORAL BLUE is a gentle wash-tone adjuster that will provide a cooling effect, different than the other blue tones found in the original Flesh Tone palette.
The Dark Flesh Tone colors are also great for defining hairlines and filling in scalp patches. The CORAL BLUE and BURNT SIENNA are also fabulous for covering up beard shadow.
All Skin Illustrator palettes must be activated with Skin Illustrator Slow Activator, Skin Illustrator Activator or 99% alcohol. Do not use anything else. Removal is easy with Telesis Super Solv or Telesis Makeup Remover.
Skin Illustrator developed by award winning makeup artist Kenny Myers, is a system of durable, water and abrasion resistant alcohol activated make-up that is available in palettes and liquids. Created by professionals for professionals, Skin Illustrator is designed to speed up the process of color applications and touch ups by greatly reducing the need to mix colors. The wide range of colors allows you total control to create any illusion
Skin Illustrator will cover tattoos, create effects, color hair, and it can be used on foam latex, gelatin, plastic, and silicone appliances. The high pigment content provides rich color tones that stay in place and last all day. Skin Illustrator colors can be activated with a spray or dab of alcohol, and they require few touch ups other than an occasional powdering. Whether you use a brush, air brush, sponge or stipple technique, Skin Illustrator can fix a problem or keep one from happening.
Be sure the skin has been gently cleaned and dried before applying the Skin Illustrator colors. Removal is easy with Super Solv, alcohol or isopropyl myristate. Remember to clean the skin after color removal, then apply moisturizer. The key to using Skin Illustrator is to take the time to experiment with the colors. Try different application techniques with a sponge, brush or airbrush, and learn how the colors work under varying conditions. Because art is constantly evolving, Skin Illustrator will always be growing and improving.
Skin Illustrator colors have been tested by independent labs for dermal irritation and have been proven safe for use on skin.